Why would someone want to encode ProRes with full range levels? This question comes up often. To make a long story short, don’t do it! Since its inception in 2007, ProRes has always been a legal range codec, designed to accept YUV input. In the early days Apple didn’t provide much detail, but the codec… Continue reading ProRes levels
There has been some confusion in the industry about the ProRes codec, especially regarding its maximum color precision, or bit depth. One question I am often asked is, can ProRes really be 12 bit or 16 bit? Apple tries to answer in their 2020 white paper: Apple ProRes 4444 XQ and Apple ProRes 4444 support… Continue reading ProRes bit depth
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